![]() So, each situation will require a particular approach that will work best for the song.īut there are certain guidelines that you can use to make sure that you’re always on the right track. There are many different kick drum sounds and also different genres so that makes it a bit hard to come up with a formula that works all of the time. The one thing that's a bit tricky when mixing kick drum is EQ. ![]() However, always experiment to find what works best for each song. Then after you can add more attack to your high kick to get your kick to cut through the mix. If you have 2 kick drums in a mix where 1 is dominating the sub and lower bass frequencies and the other one dominating the midrange and higher frequencies then decreasing the attack on the bass kick makes more sense. In some cases you’ll want to increase the attack while in some cases you want to decrease the attack of a sound. So with a transient shaper tool, you’re just manipulating the envelope of a sound. In simplified terms, it is solely the attack. It’s also important for us to understand what the transient of a sound is. It is usually the secret source to getting punchy drums for most mixing and mastering engineers. ![]() This is one of those tools that will save you a lot of time on the EQ. Since transient shapers are fairly new in the engineering space, they’re not something that you often see being recommended. The problem with gate plugins is that they tend to mess up the transient of a sound so choose a gate that has a look-ahead feature to make your job a lot easier. There are many different ways and techniques you can use to make sure that you don’t ruin your transients. Once you start cleaning your kick drums with gates you’ll find that you start having much more control of the low-end and you get more definition.Īlways make sure that the gate or expander doesn’t ruin the transient / attack. to avoid messing the drummers performance. You don’t want your gate to be turned on during drum rolls, bridge, quieter parts of the song etc. To avoid hindering the artistic performance you always have to manually gain ride your gates.Įither ride (automate) the threshold or on/off switches. If your mix starts sounding harsh then you know that you need to take care of the mic bleed, especially if you’re going to be aggressive on the EQ. In some genres, such as jazz, this bleed is good but just make sure that when you boost the high frequencies on your kick it doesn’t make the snare or other sounds that the kick mic picked up harsh and aggressive. ![]() If you don’t remove the snare bleed on the kick you’ll end up boosting it later and add unnecessary phase issues. ![]() In some recordings the snare bleed can be way too loud in the kick drum mic, and to fix that problem you’ll need a gate. ![]()
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